You’ve specified the perfect pixel pitch and the ideal screen size. But the true performance of your state-of-the-art LED display hinges on a component that’s often overlooked: the controller. This is the brain behind the brilliance, the hardware that translates your content into millions of perfectly synchronised pixels. Choosing the right one is the difference between a flawless visual experience and a frustrating technical liability.
Making that choice can feel overwhelming. You’re navigating a landscape of technical jargon—sending cards, receiving cards, synchronous versus asynchronous—while trying to compare brands and future-proof your investment.
This guide cuts through the noise. We’ll deconstruct the entire LED control system, compare the industry’s leading hardware, and give you the framework to select the perfect controller for your specific application.
The Core Decision: Synchronous vs. Asynchronous Controllers
Your first and most critical decision is choosing between a synchronous and an asynchronous control system. This choice dictates how content is delivered to your screen and what capabilities you’ll have for real-time control.
- Synchronous Controllers mirror a source in real-time. Think of it as a direct link from a computer or media player to the screen. What you see on the source monitor is what appears on the LED display, instantly. This is essential for live events, broadcasting, and interactive applications where ultra low latency is non-negotiable.
- Asynchronous Controllers have on-board memory and processing. You upload content (videos, images, text) directly to the controller, which then plays it back according to a schedule. This is perfect for digital signage where content is pre-planned and doesn’t require live input.
- Dual Purpose Controllers controllers like the Novastar Taurus and KU series actually have the ability to take input from external sources as well as the onboard system. This function can even be switched remotely via the CMS allowing for scheduled content to be played and then an external HDMI source to take over. These controllers, however, lack much of the functionality of the synchronous controllers.
While the choice seems simple, understanding the nuances of a synchronous control system versus its counterpart is key.

The Anatomy of Control: Deconstructing the Hardware System
An LED display controller isn’t a single box; it’s a system of components working in concert. Understanding the role of each piece is vital for specifying a robust setup.
Sending Cards
The sending card is the starting point. It’s typically installed in a control PC or housed within a standalone video processor. Its job is to convert the video signal (from sources like HDMI or DisplayPort) into a proprietary data format that can be transmitted efficiently over standard network cables (CAT5/CAT6) to the LED screen itself. A high-capacity Novastar sending card can drive millions of pixels, forming the backbone of large-scale displays. They don’t tend to come with any scaling functionality and so normally require a media server or a computer with special software such as Resolume.
Receiving Cards
Inside every individual LED cabinet or module is a receiving card. These small but crucial components receive the data from the sending card and distribute it to the driver ICs, which in turn tell each individual LED what colour and brightness to display. The number of receiving cards you need is determined by the size and resolution of your overall display.
Video Processors
While the sending card handles the signal conversion, a dedicated LED video processor is the command centre for sophisticated displays. It acts as a powerful scaler and switcher, allowing you to manage multiple inputs, scale content to fit non-standard screen resolutions, and enhance image quality with features like colour space correction and HDR processing. For any complex or large-format LED video wall, a processor is not an option—it’s a necessity.
How It All Connects: A Visual System Diagram
Understanding how these parts integrate makes the entire system less intimidating. The signal flows from your content source, through the processor or sending card, and is then distributed via network cables to the receiving cards in each panel, which finally illuminate the display.

Technical Specifications That Actually Matter
When comparing controllers, it’s easy to get lost in spec sheets. Here are the metrics that have the biggest real-world impact on performance.
- Pixel Capacity (Loading Capacity): This is the total number of pixels a controller can power. A 4K display (3840 x 2160) requires a controller with a capacity of at least 8.3 million pixels. It’s usually a good idea to choose a controller that exceeds your screen’s resolution to allow for flexibility and future expansion. High-end processors like the Novastar MX40 are designed to handle 4K resolutions and beyond with ease.
- Controller Frame Rate: It’s important not to confuse this with LED panel refresh rates. While refresh rate (e.g., 3840Hz or 7680Hz) is driven by the LED driver ICs and determines how smoothly the screen redraws, the controller’s frame rate (e.g., 60Hz, 120Hz, 240Hz) defines the video signals the system can process and output. LED controller adaptive frame rate plays a critical role in ensuring compatibility with broadcast standards, seamless camera synchronisation, and delivering smooth playback in XR and film environments.
- Bit Depth: This defines the number of available colours. A higher bit depth (e.g., 16-bit, 22-bit) results in smoother gradients and more lifelike colour reproduction, preventing the “banding” effect seen on lower-quality displays.
- Input/Output Ports: Ensure the controller has the right inputs for your sources (HDMI 2.0, DisplayPort 1.2, and SDI for broadcast) and enough RJ45 outputs to drive the entire screen without needing excessive daisy-chaining.
- Genlock enables the LED display to synchronise perfectly with an external video source or a specific reference signal from a signal generator or a camera system. This feature is essential for film, broadcast, and XR studios, as it eliminates issues like tearing, flicker, and mismatched frames during recording or streaming.
- HDR (High Dynamic Range) support unlocks a broader contrast ratio and more vibrant colours. With standards like HDR10 or HLG, LED walls can deliver deep blacks, brilliant highlights, and intricate details, bringing content to life with stunning, cinematic realism.
- Grayscale Calibration fine-tunes brightness across individual LEDs, ensuring smooth gradients and uniform tones. This eliminates uneven brightness or colour banding, making it a critical feature for high-end retail and corporate applications.
- Low Latency minimises the time between video input and LED display output. This is vital for live concerts, esports, and interactive installations, where even the slightest delay can disrupt the experience.
- Shutter Fit technology synchronises the LED refresh rate with camera shutter speeds, making it indispensable for XR and film production. This eliminates moiré and flicker, delivering smooth, natural-looking visuals on camera.
- Colour Management / 3D LUT Support Professional-grade processors come equipped with advanced colour management tools and 3D LUT (Look-Up Table) support. These features ensure accurate colour reproduction across devices and enable calibration to meet broadcast and cinema standards.
- Mapping & Irregular Screen Support many projects demand LED screens that go beyond simple rectangles—like curved walls, angled edges, or creative installations. Advanced mapping tools ensure content aligns flawlessly, no matter the screen’s shape or layout.
Market Leaders: An Objective Brand Comparison
One industry forecast projects that the global display controller market will grow from USD 35.6 billion in 2025 to USD 81.9 billion by 2035—a CAGR of 9 % . The industry is dominated by a few key players. Each has carved out a niche with distinct strengths.
Brand | Model / Series | Total Load (pixels) | Inputs | Outputs | Genlock | HDR | HFR / Frame Multiplication | Shutter Feature | Notes |
---|---|---|---|---|---|---|---|---|---|
NovaStar | H2 — H-Series (Modular Splicer) | LED 4K card: 26,000,000; 4-Port fibre: 41,600,000 | Modular — up to 4 input cards; options include 4× DVI, 4× VGA, 4× HDBaseT, 2× DP 1.1, 1× DP 1.2, 4× 3G-SDI, 1× 12G-SDI, 2× RJ45 IP, 2× fibre, 1× ST 2110, 1× NDI, 2× audio-in + 2× audio-out; (HDMI 2.0 and HDMI 2.0+DP 1.2 cards are H15/H15 Enhanced only) | Modular — up to 2 output cards; options include 16× RJ45 + 2× fibre sending, 20× RJ45 sending, 2× RJ45 + 1× HDMI 1.3 preview, 4× DVI, 4× HDMI, 4× HDBaseT, 4× 3G-SDI, 1× HDMI 2.0, 4× fibre sending, 1× 12G-SDI | Card-dependent | HDR10; HLG (requires A-series receivers e.g., A8s/A10s) | — | — | Max Layers (2K): 32; Irregular screen config: Yes; Presets: 2000; Single-card layers: 16. |
NovaStar | H5 — H-Series (Modular Splicer) | LED 4K card: 39,000,000; 4-Port fibre: 62,400,000 | Modular — up to 10 input cards; same card options as above | Modular — up to 3 output cards; same output options as above | Card-dependent | HDR10; HLG (requires A-series receivers e.g., A8s/A10s) | — | — | Max Layers (2K): 48; Irregular screen config: Yes; Presets: 2000; Redundant power: Yes; Single-card layers: 16. |
NovaStar | H9 — H-Series (Modular Splicer) | LED 4K card: 65,000,000; 4-Port fibre: 104,000,000 | Modular — up to 15 input cards; same card options as above | Modular — up to 5 output cards; same output options as above | Card-dependent | HDR10; HLG (requires A-series receivers e.g., A8s/A10s) | — | — | Max Layers (2K): 80/160; Irregular screen config: Yes; Presets: 2000; Redundant power: Yes; Single-card layers: 16. |
NovaStar | H15 — H-Series (Modular Splicer) | LED 4K card: 130,000,000; 4-Port fibre: 208,000,000 | Modular — up to 30 input cards; adds optional 2× HDMI 2.0 card and 2× HDMI 2.0 + 2× DP 1.2 card (H15/H15 Enhanced only); plus the full card set above | Modular — up to 10 output cards; full output-card set supported | Card-dependent | HDR10; HLG (requires A-series receivers e.g., A8s/A10s) | — | — | Max Layers (2K): 160; Irregular screen config: Yes; Presets: 2000; Redundant power: Yes; Single-card layers: 16. |
NovaStar | H15 Enhanced — H-Series (Modular Splicer) | LED 4K card: 208,000,000; 4-Port fibre: 332,800,000 | Modular — up to 30 input cards; includes H15-only HDMI 2.0 / HDMI 2.0+DP 1.2 options; plus the full card set | Modular — up to 16 output cards; full output-card set supported | Card-dependent | HDR10; HLG (requires A-series receivers e.g., A8s/A10s) | — | — | Max Layers (2K): 160; Irregular screen config: Yes; Presets: 2000; Redundant power: Yes; Single-card layers: 10 (Enhanced). |
NovaStar | H20 — H-Series (Modular Splicer) | LED 4K card: 260,000,000; 4-Port fibre: 416,000,000 | Modular — up to 40 input cards; full card set supported | Modular — up to 20 output cards; full output-card set supported | Card-dependent | HDR10; HLG (requires A-series receivers e.g., A8s/A10s) | — | — | Max Layers (2K): 320; Irregular screen config: Yes; Presets: 2000; Redundant power: Yes; Single-card layers: 16. |
NovaStar | MX40 Pro — COEX 1G | 9,000,000 | 3× HDMI 2.0 (IN+LOOP); 1× DP 1.2; 1× 12G‑SDI (IN+LOOP) | 20× 1GbE; 4× 10G OPT; S/PDIF | Yes (IN+LOOP) | SDR; HDR10 (ST2084/ST2086); HLG | Up to 120/144/240 Hz; Frame Multiplication | Shutter Fit (requires A10s Pro) | Per-port @60 Hz: 8‑bit 659,722 px; 10‑bit 494,792 px; 12‑bit 329,861 px |
NovaStar | MX30 — COEX 1G | 6,500,000 | 1× HDMI 2.0 (IN+LOOP); 1× HDMI 1.4 (IN+LOOP); 1× DP 1.1; 2× 3G‑SDI (IN+LOOP) | 10× 1GbE; 2× 10G OPT; S/PDIF | Yes (IN+LOOP) | SDR; HDR10 (ST2084/ST2086); HLG | Up to 120/144/240 Hz | Shutter Fit | Per-port @60 Hz: 8‑bit 659,722 px; 10/12‑bit 329,861 px |
NovaStar | MX20 — COEX 1G | 3,900,000 | 2× HDMI 1.3 (IN+LOOP); 1× 3G‑SDI (IN+LOOP) | 6× 1GbE; 2× 10G OPT | Yes | SDR; HDR10 (ST2084/ST2086); HLG | Up to 120/144/240 Hz | — | Max input 1920×1200@60 |
NovaStar | KU20 — COEX 1G (entry) | 3,900,000 | 1× HDMI 1.3 (IN+LOOP) | 6× 1GbE; 1× 10G OPT | No | SDR | Up to 120 Hz | No | Genlock not supported (“Except Genlock”) |
NovaStar | CX80 Pro — COEX 5G | 35,389,440 | Card 1: 4× HDMI 2.0 + 4× 12G‑SDI; Card 2: 1× HDMI 2.1 + 1× DP 1.4 + 4× 12G‑SDI | 16× 5GbE; 2× 40G QSFP+; S/PDIF | Yes (IN+LOOP) | SDR; HDR10 (ST2084/ST2086); HLG | Up to 120/144/240 Hz; Frame Multiplication | Shutter Fit | Per-port @60 Hz: 8‑bit 2,592,000 px; 10‑bit 2,073,000 px; 12‑bit 1,728,000 px |
NovaStar | CX40 Pro — COEX 5G | 9,000,000 | 2× HDMI 2.0 (IN+LOOP); 1× DP 1.2; 2× 12G‑SDI (IN+LOOP) | 6× 5GbE; 1× 40G QSFP+; S/PDIF | Yes (IN+LOOP) | SDR; HDR10 (ST2084/ST2086); HLG | Up to 120/144/240 Hz; Frame Multiplication | Shutter Fit | Per-port @60 Hz: 8‑bit 2,592,000 px; 10‑bit 2,073,000 px; 12‑bit 1,728,000 px |
NovaStar | VX400 — VX (All‑in‑one) | 2,600,000 | HDMI 1.3×2; DVI×1; 3G‑SDI×1 | 4× 1GbE; 1× 10G OPT | — | — | — | No | DVI/SDI loops; HDMI monitor out |
NovaStar | VX600 — VX (All‑in‑one) | 3,900,000 | HDMI 1.3×2; DVI×1; 3G‑SDI×1 | 6× 1GbE; 1× 10G OPT | — | — | — | No | DVI/SDI loops; HDMI monitor out |
NovaStar | VX1000 — VX (All‑in‑one) | 6,500,000 | HDMI 1.4×2; DVI×2; 3G‑SDI×1 | 10× 1GbE; 1× 10G OPT | — | — | — | No | DVI/SDI loops; HDMI monitor out |
NovaStar | NovaPro UHD Jr — All‑in‑one 4K | 10,400,000 | HDMI 2.0×1; DP 1.2×1; 12G‑SDI×2; DVI×4 | 16× 1GbE; 4× 10G fiber | — | — | — | No | High I/O density inc. 4× 10G fiber; Input depth up to 12‑bit (vendor table) |
NovaStar | MCTRL 4K — Independent Controller | 8,800,000 | DP 1.2×1; HDMI 2.0×1; Dual DVI×2 | 16× 1GbE; 4× 10G fiber | Yes (offset adjustable) | — | — | No | Low latency; rotation |
NovaStar | MCTRL R5 — Independent Controller | 4,140,000 | 6G‑SDI×1; HDMI 1.4×1; Dual DVI×2 | 16× 1GbE; 2× 10G fiber | — | — | — | No | Low latency; rotation |
NovaStar | MCTRL 660 Pro — Independent Controller | 2,300,000 | DVI IN+LOOP; HDMI IN+LOOP; 3G‑SDI IN+LOOP | 6× 1GbE; 2× 10G fiber | — | — | — | No | Includes loops and monitoring |
NovaStar | TU40 Pro — Playback Control Processor | 13,000,000 | HDMI 1.3×1; HDMI 2.0×2; USB 2.0×2; USB 3.0×1 | 20× 1GbE; 2× 10G OPT; HDMI 1.3 (monitor); S/PDIF; 3.5mm; eARC | No | HDR decoding (H.265/H.264 up to 4K@60) | — | No | Android 13; wireless mirroring; output scaling |
Brompton | Tessera SQ200 — Tessera Gen‑3 (100G AVoIP) | 9,000,000 / 18,000,000 / 27,000,000 / 36,000,000 (licensed tiers) | AVoIP: 2× 100G QSFP28 (ST 2110 / IPMX, ST 2022-7); Baseband (up to 4 cards): each card has 1× 12G-SDI, 1× HDMI 2.1, 1× DP 2.1 (one active per card) | 2× 100G QSFP28 to distribution (QD-S / XD-S); backwards-compatible with XD10G | Yes (Bi/Tri-level; PTP; lock to source) | SDR; PQ (ST-2084); HLG | Up to 250 fps; Frame Rate Multiplication (x2–x10) per Tessera software; capacity reduces at higher fps | Not explicitly documented for SQ200 in public release notes; on-camera features via licensed bundles | Up to 64K wide/tall canvas; closed-loop & processor redundancy; tiered licensing |
Brompton | Tessera SX40 — Tessera 4K (10G to XD) | 9,000,000 | 1× HDMI 2.0 (IN+THRU); 1× 12G-SDI (IN+THRU) | 4× 10GbE trunks (copper or fibre) to XD fan-out | Yes (Bi/Tri-level IN+THRU; lock to source) | SDR; PQ (ST-2084); HLG | Up to 250 fps; Frame Rate Multiplication (x2–x10) | ShutterSync | Each 10G trunk fans out to up to ten 1GbE via XD; Ultra-Low Latency available |
Brompton | Tessera S8 — Tessera 4K (mid-range) | 4,500,000 | 1× HDMI 2.0 (IN+THRU); 1× 12G-SDI (IN+THRU) | 8× 1GbE | Yes (Bi/Tri-level IN+THRU; lock to source) | SDR; PQ (ST-2084); HLG | Up to 250 fps; Frame Rate Multiplication (x2–x10) | ShutterSync | Per-port @60 Hz (nominal): 8-bit 525,000 px (10-bit/12-bit reduced); closed-loop redundancy supported |
Brompton | Tessera S4 — Tessera HD | 2,100,000 | 1× DVI-D (IN+THRU) | 4× 1GbE | Source-lock (no external ref input) | — | Standard 60 Hz; Frame Rate Multiplication within 60 Hz cap | No | Per-port @60 Hz (nominal): 8-bit 525,000 px |
Brompton | Tessera M2 — Tessera HD (legacy) | 2,100,000 | 1× DVI-I (IN+THRU); 2× 3G-SDI (IN+THRU) | 4× 1GbE | Yes (Bi/Tri-level IN+THRU; lock to source) | — | Standard 60 Hz; Frame Rate Multiplication within 60 Hz cap | No | Low-latency mode; per-port @60 Hz: 8-bit 525,000 px |
Brompton | Tessera T1 — Tessera HD (entry) | 525,000 | 1× DVI-D (IN+THRU) | 1× 1GbE | Source-lock | — | Standard 60 Hz; Frame Rate Multiplication within 60 Hz cap | No | Nominal 525,000 px @60 Hz, 8-bit; low-latency mode available |
Colorlight | Z8 — Super Processor (Z-series) | 47,180,000 | Swappable boards (up to 6): 2× HDMI 2.0; 2× DP 1.2; 2× 12G-SDI; 3-in-1 (HDMI 2.1 + DP 1.4 + 12G-SDI, all w/ loop); ST 2110 (uncompressed 4K) | Modular (up to 4 boards): 4× 5GbE; 2× 10G fiber; 4× 10G fiber (2 main + 2 backup); 4× 5G fiber | Yes (BNC IN + LOOP; Bi-level/Tri-level) | HDR10; HLG | Input 23.98–240 Hz; Frame Multiplication up to ×10 | ShutterLock (with compatible receiving cards) | Per 4×10G board @60 Hz 8-bit: 13.10M px; per 4×5G board @60 Hz 8-bit: 11.79M px. |
Colorlight | Z6 PRO-G2 — Super Processor (Z-series) | 13,100,000 | Four 4K input cards (HDMI 2.0 / DP 1.2 / 12G-SDI), up to 4096×2160@60 per card | 4× 10G fiber (2 main + 2 backup) | Yes (IN + LOOP) | HDR10; HLG | Up to 240 Hz; Frame Multiplication up to ×6 | — | Low-latency; multi-window; 3D-LUT/Color Magic/Color Curve. |
Colorlight | Z5 / Z4 Pro — Super Processor (Z-series) | Up to 13,000,000 (model-dependent) | Full 4K inputs: HDMI 2.0 + DP 1.2 + 12G-SDI | 20× 1GbE; optical transmission supported | Yes (IN + LOOP) | HDR10; HLG | Not documented | Not documented | “Up to 13M px” across Z5/Z4 Pro page; some sheets list Z4 Pro ≈6.55M — confirm variant. |
Colorlight | Z4F — Super Processor (Z-series) | 8,300,000 | 1× HDMI 2.0 / DP 1.2; 4× DVI; 2× 3G-SDI | 2× fiber; 4× 1GbE; HDMI monitor out | Yes (IN + LOOP) | HDR10 | Not documented | Not documented | Genlock & HDR noted on family page. |
Colorlight | Z3 — Super Processor (Z-series) | 8,840,000 | Full 4K inputs: HDMI 2.0; DP 1.2; 12G-SDI | 6× 5GbE or 3× 10G fiber | Yes | HDR10; HLG | Up to 240 Hz | Not documented | Designed for low latency; 5G transmission; 16,384-wide max. |
Colorlight | X40m — Professional Processor (X-series) | 26,210,000 | 1× HDMI 2.0; 1× DP 1.2; 2× HDMI 1.4; 2× DVI | 40× 1GbE or 4× 10G fiber | Yes (lock to input; external ref not explicit) | Not documented | Not documented | Not documented | 6-layer free splicing; USB playback; scene presets. |
Colorlight | X26m — Professional Processor (X-series) | 17,030,000 | 1× DP 1.2; 1× HDMI 2.0; 2× HDMI 1.4; 2× DVI | 26× 1GbE or 3× 10G fiber | Not documented | Not documented | Not documented | Not documented | Dual-4K inputs; per-port backup options vary by mode. |
Colorlight | X20 — Professional Processor (X-series) | 13,000,000 | 1× HDMI 2.0; 1× DP 1.2; 2× HDMI 1.4; 2× DVI | 20× 1GbE; 2× 10G fiber | Yes (locks to active input/internal V-sync) | Not documented | Input frame rates up to 144 Hz | Not documented | Max 16,384×8,192; Genlock to input/internal. |
Colorlight | X16 — Professional Processor (X-series) | 8,880,000 | 1× HDMI 2.0; 4× DVI; 2× 3G-SDI | 16× 1GbE | Yes (IN + LOOP) | Not documented | Not documented | Not documented | Genlock BNC In/Loop; max width/height 8192 px. |
Colorlight | X12 — Professional Processor (X-series) | 7,800,000 | 1× DVI; 3× HDMI 1.4 | 12× 1GbE | Not documented | Not documented | Not documented | Not documented | Max 8192×4096; 3-window display; per-port ≈0.65M px. |
Colorlight | X8 — Professional Processor (X-series) | 5,000,000 | 4× DVI; 2× SDI | 8× 1GbE | Yes (IN + LOOP) | Not documented | Not documented | Not documented | Five-layer display; 8192 max width/height. |
Colorlight | X4 — Professional Processor (X-series) | 2,300,000 | SDI×1; HDMI×1; DVI×1; VGA×1; CVBS×1 | 4× 1GbE | No (not listed) | — | — | No | Classic 1U controller; 1920×1200 max input. |
Colorlight | X1 — Professional Processor (X-series) | 1,310,000 | HDMI×1; DVI×2 | 2× 1GbE | No (not listed) | — | — | No | Max width/height 4096/2560; dual USB for cascading. |
Colorlight | VX20 — VX (All-in-one) | 13,100,000 | HDMI 2.0; DP 1.2; 12G-SDI; HDMI 1.4; DVI | 1GbE + 10G fiber (20× RJ45 / 2× 10G typical) | Not documented | Not documented | Not documented | No | Processor / fiber transceiver / bypass modes. |
Colorlight | VX10 — VX (All-in-one) | 6,550,000 | HDMI 2.0; DP; HDMI 1.4; DVI; 3G-SDI | 10× 1GbE; 2× 10G fiber; HDMI 1.3 monitor out | Not documented | HDR (family page) | Up to 240 Hz (family docs) | No | Some sheets say 3.93M vs 6.55M — confirm variant. |
Colorlight | VX6 — VX (All-in-one) | 3,930,000 | DP 1.4; HDMI 2.0; HDMI 1.4×2; DVI×2 | 6× 1GbE; 2× 10G fiber; HDMI 1.3 monitor out | Not documented | HDR (family page) | Up to 240 Hz (family docs) | No | Per-port ~650k px @60 Hz. |
NovaStar: Widely used across rental and fixed-install markets. Offering a vast range of products from simple asynchronous cards to powerful all-in-one Novastar processors for touring and large-scale events. They are known for their reliability, user-friendly software, and wide industry adoption. Their TU series is a prime example of their versatile solutions while the COEX series is starting to give Brompton a run for their money in respects to virtual production and filming.
Colorlight: This product is becoming more available in the market but is primarily associated with lower-end, budget installations. Some engineers report stability and support issues with Colorlight controllers on professional forums. However, experiences vary and suitability depends on the project requirements. For critical XR or broadcast projects, integrators often prefer Brompton or NovaStar because of their camera-synchronisation features and support infrastructure.
Brompton Technology: Widely adopted in high-end virtual production, film, and broadcast markets. Brompton processors like the Tessera T1 are famous for their exceptional colour accuracy, on-screen colour correction tools (On-Screen Colour Adjustment), and features specifically designed for on-camera performance. Some of their solutions offer ultra-low latency scaling.
Linsn: One of the old school players in the industry but have not seemed to have developed much with regards to receiver card and LED controllers. More recently have branched out into actual LED panels and are rarely seen anywhere other than markets in the far east.
Dbstar: Mostly used for asynchronous LED signs and digital signage. They do actually possess quite a high level of functionality and sophistication allowing for things such 16bit video source and greyscale adjustment.
Lumen: Again, these are mostly used for LED signage rather than LED walls displaying synchronous video content but for a budget, intuitive and easy to use solution they are a good option.
Mooncell: Known for creating LED controllers that are geared towards highly customised LED displays such as LED spheres and triangles etc.
The Dynamo Advantage: Our Proprietary Hardware Solutions
While we expertly integrate systems from all leading brands, Dynamo also develops proprietary control hardware. Our in-house R&D team designs custom Dynamo CMS and even some hardware controllers, ensuring perfect integration with our bespoke displays like the flexible panels used in our innovative LED video strips. This allows us to:
- Optimise Performance: We can fine-tune the hardware and software for specific applications, achieving lower latency and higher efficiency than off-the-shelf solutions.
- Deliver Unique Form Factors: For complex architectural projects, such as our curved DRA Series installations, custom controllers can be designed to fit unique physical constraints.
- Provide End-to-End Support: When the display and controller come from a single source, troubleshooting and support are streamlined, giving you a single point of contact and faster resolutions.
Choosing the Right Controller for Your Application
The “best” controller is always the one that best fits the job. Here’s a guide to help you match the hardware to your needs.
Frequently Asked Questions
1. Can I use any brand of controller with any LED panel?
No, major controllers like NovaStar use proprietary chipsets and receiving card configurations which mean they will only work when paired together. It is crucial to confirm compatibility between your chosen panels and controller before purchasing.
2. Do I really need a separate video processor?
If you are only showing content from a single source on a standard 16:9 screen, an all-in-one controller might suffice. However, for any application involving multiple sources, custom resolutions, or the need for professional scaling and image quality adjustments, a dedicated video processor or media server is essential for a professional result.
3. How does latency affect my display?
For asynchronous digital signage, latency is irrelevant. But for synchronous applications like live broadcasts, conferences, or IMAG (image magnification), latency (the delay between input and screen output) must be virtually very low. A delay of even a few frames can cause a noticeable and distracting lag between the live action and the screen.
4. Can I upgrade my controller in the future?
Yes. Controller systems are modular. You can upgrade your sending card or processor to one with a higher pixel capacity or more advanced features as your needs evolve, without having to replace the entire LED screen.
Your Path to a Perfect Picture
Choosing the right LED controller hardware is a technical decision, but it doesn’t have to be a complicated one. By focusing on your core application—whether it’s real-time performance or scheduled playback—and understanding the key specifications that impact quality, you can make an informed choice.
The perfect LED display is a symphony of precisely engineered components. If you’re ready to ensure the brain of your system is as brilliant as the display itself, our team of experts is here to help. Contact us for a consultation to design a control system perfectly tailored to your vision.